Historical Preservation
LA Independent/The
Westsider
Wednesday, March 5, 2003
Renters rally to save their homes
Lisa Kelly and Ken Lee stand
in the kitchen of their Kelton Avenue apartment, which features a
number of vintage touches including a mushroom-shaped arch. Photo
by Gary McCarthy |
By Brian Lewis
A group of Westwood residents will find out today if their effort
to save their homes from the wrecking ball has been successful.
That's when the Cultural Heritage Commission is scheduled to vote
whether to designate the three 75-year-old apartment buildings on
the 1800 block Kelton Avenue as city historic-cultural monuments.
The renters began rallying to save their homes last fall when a
developer purchased the three buildings and filed for a
demolition permit to build a condominium project in their place.
Along the way, they began researching the history of their homes
-- learning that the small buildings had been developed in the
late 1920s and early 1930s by the Janss Investment Corporation in
the first phase of what would become Westwood.
But while they have enlisted the support of their neighbors,
along with historic preservationists, architectural historians
and 5th District City Councilman Jack Weiss, the new property
owner is fighting the move, calling the buildings not worthy of
landmark status.
Both the buildings and their tenants stand out on the stretch of
Kelton just below Little Santa Monica Boulevard. The pale,
Spanish/Mediterranean-style two-story structures with tile roofs,
large picture windows and many original details such as wood
floors, high ceilings, wall sconces and mushroom-shaped arches
sit surrounded by anonymous, modern apartment buildings and
condominium complexes. And the residents who have called them
home for years, some as long as five decades, form a tight-knit,
cohesive family who ask one another if their door is open and
they can go inside.
"They are beautiful, they're Los Angeles," says
resident Sharon Eisenberg, who moved in last fall shortly before
the buildings were sold. "They are triplexes in a world of
48-, 58-, 68-unit condos. And together they form a long string of
history."
"They don't make things like this anymore," adds
resident Ken Lee, who moved in nine years ago and is now
grudgingly moving out, having purchased a house after getting an
eviction notice in the fall from the new landlord. Lee and his
girlfriend, Lisa Kelly, undertook the bulk of the research work
after getting input from the Los Angeles Conservancy and Art Deco
Society. "When we first heard that our house was to be
destroyed, we were devastated," Kelly says. "It was
like hearing that a friend had been sentenced to death."
While the residents suspected the buildings were significant
based on their age, they had no idea they were three of the few
remaining structures from when the Westwood area was first
developed in 1929, says Kia McInerney, who owns the fourplex just
north of the three buildings and answered the rallying cry to
save them."Together they epitomize the Janss' plan of
building a low-scale, mid-density neighborhood," McInerney
says. "It's just a rare street of extreme livability and
character." Carolyn Haber of the Westwood Historical Society
agrees. "This was the beginning of Westwood," she says,
explaining that Janss built apartment buildings and homes at the
southern end of the community before completing the largely
commercial area of Westwood Village.
The residents' hard work and organization also impressed Weiss,
who came out to the neighborhood last Thursday afternoon to
announce that he was supporting their bid to get the buildings
declared historic-cultural monuments."This is not a matter
that is at all abstract about quality of life. It's about our
residences," the councilman said. "It really is quite
special to see people living today in the way they did a couple
generations ago.... This is L.A. This is what is special and
beautiful about living on the Westside."
But if the commission is to confer landmark status on the
buildings, it will do so over the objections of Wiseman
Development, the property owner. Representative Michael Cohanzad
points to the city's own definition of a monument -- "a
building...of particular historic or cultural significance to the
city...or which embody the distinguishing characteristics of an
architectural-type specimen, inherently valuable for a study of a
period style or method of construction, or a notable work of a
master building, designer or architect" -- as proof that the
Kelton buildings don't meet the criteria.
"These are fake Spanish/ Mediterranean-style buildings that
are very common with what was built around L.A. at the time. If
they're going to make these monuments, then every single building
that's old should be designated a monument," he says.
"They're definitely nice buildings, very cute, but they're
not monuments."Cohanzad admits that Wiseman bought the
properties with development in mind, but stresses that the
developer wants to work with the neighborhood. "We always
meet with the neighbors, get neighbors' input. We always try to
fight our buildings to the neighborhood," he says. "Our
interest is the same as the neighborhood. If we don't build
something nice, we can't sell it."
And if the quest for historic designation proves successful, he
says that might make the developer's plan more difficult.
"The city itself has a housing shortage. If developers are
going to take big hits because their buildings are being
designated, then they are going to be hesitant," Cohanzad
says, "and the housing crisis is just going to get
worse."
That's not something Kelly worries about. "Nobody wants a
24-story condo box on this street," she says. "A good
neighbor doesn't create a monster on their lot that decreases
everyone else's property value, blocks the sunlight from their
yards and brings in more traffic and parking problems."
Brian Lewis can be reached at (323) 556-5773, or by e-mail at
blewis@laindependent.com
Westsider article, March 5,
2003
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